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Posted on 18th Nov at 12:30 PM, with 335 notes
ancientart:

Ancient Egyptian Wall Painting: Woman Holding a Sistrum, between circa 1250 and circa 1200 BC (New Kingdom).

The woman in this fragmentary painting from a tomb wall has a wig of long, full hair, held in place by a flowered headband and topped with an ointment cone, a perfumed substance placed on wigs that gave off a fragrant aroma as it melted. A lotus blossom adorns the front of the headband. She holds a rattle called a sistrum, which women often played during temple ceremonies. What remains of the inscription suggests that she may have served with the temple staff of the god Amen.

Currently located at the Walters Art Museum, Baltimore, USA

ancientart:

Ancient Egyptian Wall Painting: Woman Holding a Sistrum, between circa 1250 and circa 1200 BC (New Kingdom).

The woman in this fragmentary painting from a tomb wall has a wig of long, full hair, held in place by a flowered headband and topped with an ointment cone, a perfumed substance placed on wigs that gave off a fragrant aroma as it melted. A lotus blossom adorns the front of the headband. She holds a rattle called a sistrum, which women often played during temple ceremonies. What remains of the inscription suggests that she may have served with the temple staff of the god Amen.

Currently located at the Walters Art Museum, Baltimore, USA

Posted on 15th Nov at 12:30 PM, with 105 notes
ancientart:

Young woman spinning and servant holding a fan. Fragment of a relief known as The Spinner. Bitumen mastic, Neo-Elamite period (8th century B.C.–middle of the 6th century B.C.). Found in Susa.
Photo taken by Jastrow at the Louvre, Paris, France.

ancientart:

Young woman spinning and servant holding a fan. Fragment of a relief known as The Spinner. Bitumen mastic, Neo-Elamite period (8th century B.C.–middle of the 6th century B.C.). Found in Susa.

Photo taken by Jastrow at the Louvre, Paris, France.

Posted on 24th Aoû at 12:24 PM, with 5 notes
Vue romantique de Rome, avec le Tibre, le mur servien et le pont Sublicius, dominée par le Capitole et le temple dédié à la triade de Jupiter, Junon et Minerve - Romantic view of Rome with the Tiber, the Servian wall and the bridge Sublicius, dominated by the Capitol and the temple dedicated to the triad of Jupiter, Juno and Minerva

Vue romantique de Rome, avec le Tibre, le mur servien et le pont Sublicius, dominée par le Capitole et le temple dédié à la triade de Jupiter, Junon et Minerve - Romantic view of Rome with the Tiber, the Servian wall and the bridge Sublicius, dominated by the Capitol and the temple dedicated to the triad of Jupiter, Juno and Minerva

Posted on 22nd Aoû at 12:10 PM
La louve capitoline (selon la légende, Rome est fondée par Romulus et Rémus, qui, dans leur enfance, auraient été nourris par une louve) - The Capitoline she-wolf (according to legend, Rome was founded by Romulus and Remus, who, as children, were fed by a wolf)

La louve capitoline (selon la légende, Rome est fondée par Romulus et Rémus, qui, dans leur enfance, auraient été nourris par une louve) - The Capitoline she-wolf (according to legend, Rome was founded by Romulus and Remus, who, as children, were fed by a wolf)

Posted on 21st Aoû at 12:23 PM, with 2 notes
Énée portant Anchise, œnochoé à figures noires, vers 520-510 av. J.-C., musée du Louvre (F 118) - Aeneas carrying Anchises oinochoe black-figure, ca 520-510 BC., Louvre (F 118)

Énée portant Anchise, œnochoé à figures noires, vers 520-510 av. J.-C., musée du Louvre (F 118) - Aeneas carrying Anchises oinochoe black-figure, ca 520-510 BC., Louvre (F 118)

Posted on 20th Juil at 12:19 PM, with 1 note
Parapet avec bucranes provenant de la « rotonde d’Arsinoé » (Musée de Samothrace) (plan, no 15) - Parapet with bucranes from the “Rotunda of Arsinoe” (Museum of Samothrace) (map, # 15)

Parapet avec bucranes provenant de la « rotonde d’Arsinoé » (Musée de Samothrace) (plan, no 15) - Parapet with bucranes from the “Rotunda of Arsinoe” (Museum of Samothrace) (map, # 15)

Posted on 19th Juil at 12:28 PM, with 1 note
Monnaie de Syracuse frappée sous le règne d’Agathocle ; sous Pégase est figuré le triskélès que l’on retrouve sur des monnaies d’Italie du Sud - Money of Syracuse struck during the reign of Agathocles; Pegasus is depicted in the Triskeles found on coins of Southern Italy

Monnaie de Syracuse frappée sous le règne d’Agathocle ; sous Pégase est figuré le triskélès que l’on retrouve sur des monnaies d’Italie du Sud - Money of Syracuse struck during the reign of Agathocles; Pegasus is depicted in the Triskeles found on coins of Southern Italy

Posted on 17th Juil at 12:19 PM, with 4 notes
La Victoire de Samothrace, musée du Louvre (plan, no 9) - Victory of Samothrace, Louvre (plan, No. 9)

La Victoire de Samothrace, musée du Louvre (plan, no 9) - Victory of Samothrace, Louvre (plan, No. 9)

Posted on 14th Juil at 12:19 PM, with 1 note
Frise des Danseuses provenant du Téménos (Musée) (plan, no 14) - Frieze of Dancers from Temenos (Museum) (map, # 14)

Frise des Danseuses provenant du Téménos (Musée) (plan, no 14) - Frieze of Dancers from Temenos (Museum) (map, # 14)

Posted on 11th Juil at 12:27 PM, with 1 note
Chapiteau d’ante de la façade Ouest du Propylée de Ptolémée II - griffons dévorant une biche (Musée) (plan, no 20) - Capital ante of the western facade of the Propylaea of Ptolemy II - griffins devouring a doe (Museum) (map, # 20)

Chapiteau d’ante de la façade Ouest du Propylée de Ptolémée II - griffons dévorant une biche (Musée) (plan, no 20) - Capital ante of the western facade of the Propylaea of Ptolemy II - griffins devouring a doe (Museum) (map, # 20)

Posted on 8th Juil at 12:25 PM, with 9 notes
Apollon, Hyacinthe et Cyparisse, Alexandre Ivanov, 1834 - Apollo and Hyacinth Cyparissus, Alexander Ivanov, 1834

Apollon, Hyacinthe et Cyparisse, Alexandre Ivanov, 1834 - Apollo and Hyacinth Cyparissus, Alexander Ivanov, 1834

Posted on 7th Juil at 12:22 PM, with 2 notes
Agamemnon, le héraut Talthybios et Épeios - peut-être une scène d’initiation au culte des Cabires, relief découvert à Samothrace. Vers 560 av. J.-C., musée du Louvre - Agamemnon, the herald and Talthybios Epeios - perhaps a scene of initiation into the cult of the Cabiri, relief discovered at Samothrace. Around 560 BC., Louvre

Agamemnon, le héraut Talthybios et Épeios - peut-être une scène d’initiation au culte des Cabires, relief découvert à Samothrace. Vers 560 av. J.-C., musée du Louvre - Agamemnon, the herald and Talthybios Epeios - perhaps a scene of initiation into the cult of the Cabiri, relief discovered at Samothrace. Around 560 BC., Louvre

Posted on 17th Jui at 12:29 PM, with 10 notes
Tête en bronze d’un roi d’Akkad retrouvée dans le temple d’Ishtar de Ninive, vers 2250 av. J.-C., Bagdad, musée national d’Irak - Bronze head of a king of Akkad found in the temple of Ishtar of Nineveh, by 2250 BC., Baghdad, Iraq National Museum

Tête en bronze d’un roi d’Akkad retrouvée dans le temple d’Ishtar de Ninive, vers 2250 av. J.-C., Bagdad, musée national d’Irak - Bronze head of a king of Akkad found in the temple of Ishtar of Nineveh, by 2250 BC., Baghdad, Iraq National Museum

Posted on 16th Jui at 12:27 PM, with 2 notes
Scène de combat, détail d’une stèle fragmentaire du règne de Rimush ou de Naram-Sin - Fight scene, a detail fragmentary stele from the reign of Rimush or Naram-Sin

Scène de combat, détail d’une stèle fragmentaire du règne de Rimush ou de Naram-Sin - Fight scene, a detail fragmentary stele from the reign of Rimush or Naram-Sin

Posted on 14th Jui at 12:16 PM, with 15 notes
Murex portant le nom de Rimush, « roi de Kish », c. 2270, Musée du Louvre - Murex named Rimush, “King of Kish”, c. 2270, Louvre Museum

Murex portant le nom de Rimush, « roi de Kish », c. 2270, Musée du Louvre - Murex named Rimush, “King of Kish”, c. 2270, Louvre Museum

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